Last night I heard the Vertavo Quartet perform Beethoven's String Quartet No. 14 in C♯ minor, Op. 131 in de Kleine Zaal of de Concertgebouw in Amsterdam. On his deathbed, Schubert had this piece performed. [Schubert was, in fact, no stranger to composing a haunting  C-minor quartet (unfinished).]

Whatever Schubert intended with this request, I cannot imagine a greater compliment from one composer to another.

Let's leave aside, those professional philosophers for whom philosophy is primarily a job or an interesting diversion from which one can 'retire.' Let's imagine, rather, those ('the infected philosophers') for whom philosophy is a necessity. Such an infected philosopher would keep at philosophy to the very end. Yet, on her deathbed, would she turn to a work by somebody else (e.g., as Hume did with Lucian), would she keep teaching (Socrates), would she, in fact, try to complete her last work(s), would she seek consolation, or would she ask to re-read or hear one of her own results/works?

Posted in , ,

8 responses to “Deathbed philosophy”

  1. Jon Cogburn Avatar
    Jon Cogburn

    Oh man, I’ve got to get a copy of Critchley’s “How Philosophers Die.”
    I found Wittgenstein’s death as recounted by Monk to be the most moving part of the book. If I remember right W. did “On Certainty” after he knew he was dying, then on his deathbed made an Oscar Wilde worthy quip (“I would have liked to have composed a book of philosophy consisting entirely of jokes. The problem was, I had no sense of humor.”) and then when he realized his friends weren’t going to be able to visit him in time said as his last words, “tell them I had a wonderful life.”
    But in terms of your initial division into responses W. very much kept working until the end. I think all else being equal, this is the null hypothesis for those infected by philosophy.
    Of course, as we know from Critchley’s book, all else isn’t equal. Kant had a pretty severe decline in cognitive facilities. Schopenhauer reached a point where he quite reasonably concluded that he’s said what he had to say. Both are inspiring because they penned such deep and fascinating essays into what at the time was very old age.
    I also think that the Hume thing (turning to the work of others) might often be some combination of finding consolation and still working out ones own thoughts until the very end.

    Like

  2. Eric Schliesser Avatar

    Thank you for the recommendation of Critchley’s book.
    I am pretty sure that Hume chose Lucian to make an anti-religious statement (it’s not the Bible, Dialogues of the Dead are a kind of comedy about the afterlife). But he is also reported as wishing to keep working on his philosophy.

    Like

  3. Mike Jacovides Avatar
    Mike Jacovides

    Before Robert Nozick died of cancer, he finished his grading.

    Like

  4. Michael Kremer Avatar
    Michael Kremer

    I think these reminiscences about Sidney Morgenbesser are both moving and (as to be expected) quite funny.

    Like

  5. Gene Avatar
    Gene

    You know C minor and C-sharp minor are different keys, right?

    Like

  6. David Hyder Avatar
    David Hyder

    I think Schubert asked and answered the question in his last work, the Winterreise (text by Wilhelm Müller):
    Wunderlicher Alter, soll ich mit dir geh’n?
    Willst zu meinen Liedern deine Leier dreh’n?
    Schubert was correcting these proofs up until his death. So his answer: keep setting one’s thoughts to music (=time).

    Like

  7. Docteur Lariviere Avatar
    Docteur Lariviere

    Verachte nur Vernunft und Wissenschaft,
    Des Menschen allerhoechste Kraft,
    Lass nur in Blend- und Zauberwerken
    Dich von dem Luegengeist bestarken,
    So hab ich dich schon unbedingt….

    Like

Leave a reply to Michael Kremer Cancel reply