There are some ways in which Kierkegaard might appear to be diminishing the importance of ethics. At least such is  the impression some take away from Fear and Trembling, Kierkegaard’s most read text, and the one most readily found in relatively popular editions. Fear and Trembling features the well known idea of the ‘teleological suspension of the ethical’, though that is an aspect of Kierkegaard that looms larger in general discussions of Kierkegaard from a distance rather than detailed up front engagement with his work as a whole.

 The ‘teleological suspension of the ethical’ evidently leaves some with the impression that Kierkegaard is downgrading the importance of ethics, and at the extreme some suggest that Kierkegaard is recommending religiously inspired violence, though I do not think that any who can be described as a competent reader of Kierkegaard has ever reached such a conclusion. 

 Now the ‘misreadings’ of Kierkegaard have a particular interest in that he was certainly extremely aware of the difference between the message of a text and the way that readers take a text, and was aware that ‘misreading’ is a part of reading. The beginning of Fear and Trembling  does after all feature a discussion  of different possible readings of the Abraham and Isaac story.

 Fear and Trembling does how start off with the story of the willingness of Abraham to sacrifice his son to God, the last minute appearance of an animal as a substitute sacrifice, and Kierkegaard’s suggestion that Abraham always retained some faith that he would not be required to carry out the appalling deed. The ‘teleological suspension’ at its simplest is the willingness to sacrifice ethical requirements to obedience to God, in the belief that in the end God will not make any ethical outrage necessary.

 Kierkegaard’s account does also make it clear that he particularly concerned with ethics as it pertains to the kind of ancient community, in which nothing seems higher than the customary ethics of that community, along with ethics as pure duty to universal law. That is his targets are antique communal ethics, which he finds to be most completely expressed by Aristotle, and the kind of universal obligations associated with Kant’s ethics. So Kierkegaard is apparently en enemy of both virtue ethics and deontology. There is certainly no reason to think he is a utilitarian or consequentialist of any kind.

Either/Or, published in the same year as Fear and Trembling, though composed substantially earlier, might be taken to confirm that anti-ethical theme at least so far as the ethical point of view of Judge (Assessor) William appears to be mocked as complacent and subordinated to the concluding sermon, ‘Ultimatum’. Though of course some have taken it as a straightforward advocacy of the point of view of William. This approach is definitely lacking in appreciation of the overall nature and flow of Either/Or

So we might think that Kierkegaard’s early books (alongside Repetition) are meant to take us away from ethics to a personal subjective engagement with religion, and to some degree he is. I am not just setting up a position in order to knock it down here and we can take it that Kierkegaard was aware of the range of likely interpretations of texts, which in all their complexity were written to have an unsettling polemical effect. 

Kierkegaard certainly writes to unsettle the ethical assumptions of the reader, but it would be a mistake to take that too far in a supersession of ethics direction or a divine command theory direct either. I do not suggest that Kierkegaard was opposed to divine command theory, just that there is more going on than can be captured by such a positioning.

The Concept of Anxiety was published the year after Fear and Trembling and Either/Or and that is not just an accident, but has to be seen as a strategic choice by Kierkegaard in which he expects those who have been unsettled by reading the two earlier text to reach a new understanding of ethics. The Concept of Anxiety suggests there are to kinds of ethics, metaphysical, which is to say Aristotelian and ‘dogmatic’ which is to say related to Christian insights, the beliefs known as dogma.

 Kierkegaard’s concern here is account for original, or hereditary, sin in terms adequate both to faith and to the philosophical legacy Enlightenment, Idealism, and Romanticism. The metaphysical kind of ethics can cover the Kantian as well as Aristotelian approaches, and indeed the Hegelian approach which might be regarded as a combination of those two. It overlooks a psychological understanding that matches the insights of dogma, that is the anxiety that arises from dealing with free will and the wish to place responsibility for sin of some external agency, such as the human race since Adam and Eve, rather than inner feee will. 

Kierkegaard’s account is to some degree a development of Kant’s position on sin and radical evil in  Religion within the Bounds of Mere Reason, but in terms which take us beyond the temptation  towards self-interest in Kant’s understanding of radical evil, to the self-consuming spiral of anxiety in which we become aware of the capacity for sin in us and try to find some external  agency, which can be held responsible. Kant’s suggestion that we follow reason instead of ‘radical evil’ itself only acknowledges the power of a moderate hedonism hardly distinguishable from Kant’s vision of what is necessary to promote human action in history of a kind that leads to republican governments under law.

 The anxiety in Kierkegaard refers to the awareness of inner responsibility for sin, and the tendency to externalise it. In that case maybe what it is at stake in Abraham taking Isaac to the place of sacrifice is that fear of God’s intentions is an externalisation of his own sinful tendencies. The references to the destruction of Sodom and Gomorrah, and the need to not question it, may refer to avoiding some blaming of God for our own sin. We should not look into God for sin, but into our own fear of responsibility, which leads us to sin, since in the externalising kind of thinking, we give all the responsibility to God. Love leads us not to question God, but to investigate the sin within us. At any rate we should not wish to take on the role of violent scourge of the sinful, which only God should exercise, as he showed by providing a substitute sacrifice to Abraham.

 The second kind of ethics in Kierkegaard is then one of responsibility and self-awareness, the capacity to make judgements which are rooted in our subjectivity, and which are concerned with our love for the neighbour as ourself, fully investigated in Works of Love, where my love for neighbour as myself requires developed responsible self capable of self-love, not a self abnegated before others or relying on externalised notions of communal ethics or universal law.

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6 responses to “Two Types of Ethics in Kierkegaard”

  1. Alan White Avatar
    Alan White

    Interesting discussion Barry (if I may). But I’d like to request a clarification: you’re not suggesting that SK in F&T subscribes to a parsing of the teleological suspension of the ethical that is entirely consistent with Abraham’s underlying belief that God finally would not require him to murder his son? Because I take it the whole point of F&T is that the “knight of faith” knowingly takes the leap of faith (I know–not SK’s term) away from the ethical precipice that the “knight of infinite resignation” stands upon (Agamemnon’s sacrifice justified by Spock’s “the needs of the many. . .”). The leap is into absurdity that Abraham must grasp as absurdity, and is unjustifiable by any means, to others or even to Abraham himself. I take it that it is that existential non-rational choice that is made in terms of the title of the work. If Abraham believed that God would not actually require him to go through with killing Isaac, then that vacates his faith as a spiritual trial, and even casts God in the role of “game-show God”, seeming to test Abraham’s faith, but really not.
    I grant that SK did not dismiss the ethical, but his point was that sometimes at least faith could not be reduced to the ethical or even be viewed as consistent with the ethical.
    Please forgive me if I misread you on any of this.

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  2. Barry Stocker Avatar

    I don’t think you’ve misread me, I could certainly have put more emphasis on Abraham’s commitment to obey God’s command, but what I’ve chosen to emphasise is the simultaneous faith that the terrible action will not be necessary and that the action is not necessary. Abraham does not expect God to oblige him to act against ethics even if he is willing to obey any such command. I though it worth emphasising the expectation that God’s will harmonise with ethical expectations in this context. I hope overall that the post does make clear the place of God’s commands/actions above human expectations, as in the love in Ultimatum which requires such an orientation, while also explaining how in Kierkegaard ethical constraints are not just terminated or marginalised, or played down at all

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  3. David Gordon Avatar
    David Gordon

    In the first line, “impotence” should be “importance”.

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  4. Barry Stocker Avatar

    Thanks, post now edited to fix that

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  5. Alan White Avatar
    Alan White

    Barry, thanks. I’d have to go to bat for the standard existentialist interpretation of SK in F&T though. I’d think that his use of the four alternative accounts in the beginning are “cheapened” versions of faith that try to render obedience to God’s command in some sort of reasonable light: better for Isaac to think I’m mad, I’ll sacrifice myself in place of my son, etc. These rationalizations are sensible, and may even place Abraham solidly in the role as a knight of infinite resignation–but they are not the acts of a knight of faith. As a knight of faith Abraham must (i) know that God commands the death of the very son He promised, (ii) know that this is a command to murder for no reason other than to obey God, (iii) know that (ii) appears inconsistent with his belief in God’s goodness, (iv) know that he does not obey out of some fear of punishment, but rather a love and trust of God that is inexplicable in this case, (v) know that he knows all the logical consequences of (i)-(iv), which entails that if he obeys God, then his actions are ethically unjustifiable to anyone, including himself, and (vi) know that nevertheless, he must not be at all hesitant in his faithful execution (!) of God’s command. The faithful temporary suspension of the ethical, faith as trust in the absurd, his requirement of silence in the face of acting for no intelligible reasons, the fact that SK chose de Silentio as his non de plume (c’mon, an author who is “silent” yet writes a whole book declaring that he is not a man of faith when he also writes that a true person of faith might very well suspend ethical truth-telling to describe the very faith he “renounces”? how could SK speak through Silentio other than in such paradox?)–all this only makes a kind of negative sense–about the best sense existentialists have at their disposal–if SK is read as fully embracing faith as sometimes utterly non-rational, but also fully grasped as such. It is that last proviso that separates Abraham from Berkowitz’s Son of Sam killings where the killer was “anxious to please Sam”–people of faith are not crazy, though they must sometimes know their actions are unfathomable.
    I got that message some 40 years ago as a young ministerial student reading F&T, and it resonated with me. I lost my faith immediately, never to return, and became a philosopher. I’m not even a knight of infinite resignation–but please give me at least the sure footing of the precipice of reason were I to become one.
    On the other hand, the reflective beauty of SK’s view is I might be lying.

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  6. Dan Hunderfund Avatar
    Dan Hunderfund

    I think this is a very well written and researched piece. However, I’m concerned about the discussion of how Kieregaard may or may not be diminishing the importance of ethics. I do not find Kierkegaard to be declarative in his philosophy. For this reason Kierkegaard is more difficult to analyse than other writers, and intentionally so.
    I do not believe Kierkegaard wanted readers to struggle with “what does Kierkegaard think” but rather “what does this text do to me?” Kierkegaard considers himself to be the creator of the authors of “Either/Or”, “Fear & Trembling”, “Repetition”, and so on. They are all written under different pseudonyms, and Kierkegaard even declared that his opinions were not portrayed by his creations. Kierkegaard loved to think about ethics and to write about ethics. I think in his writing most often embodies “the orator” that he describes in the introduction to Concluding Unscientific Postscript, under the pseudonym of “Johannes Climacus”.
    “The orator craves permission to speak, to be allowed to develop his ideas in a coherent delivery; the other, hoping to learn from him, wants that too. But the orator has rare gifts much understanding of human passion, the power of imaginative description and command over the resources of fear for use in the decisive moment….
    …(long block of beautiful text about the orator carrying the listener away)…
    and the poor dialectician (the orator) goes home with a heavy heart. He notes the problem was not even posed, much less solved; but as yet he lacks the strength to triumph over the power of eloquence. With admiration’s in this case unhappy love he understands that there must be a tremendous legitimacy in eloquence too.”
    I think this passage, found just a few pages into the introduction of Concluding Unscientific Postscript is very important. I believe that CUP needs to be looked at if you want to understand what “Kierkegaard thinks” because it is the only pseudonymous work with Kierkegaard’s name on it, as editor. I think it is a very rocky road to cite books that are published under separate pseudonyms to try and weave together a coherent philosophy of SK. Even when he admitted that he was the author of these works, he requested that when they are discussed the invented “authors” be cited rather than him. If we did that, it wouldn’t make any sense to combine “Either/Or” with “Fear & Trembling”.
    Really enjoyed your piece, love Kierkegaard.

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