Category: Teaching Philosophy
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When I first took philosophy of mind at St Andrews in 2002 as an undergrad, we discussed the mind-body problem, behaviorism, identity theory, functionalism, modularity, and qualia. I wrote my term paper on anomalous monism and strong supervenience, entitled: "Is it possible for someone to be in a particular mental state without having any propensity…
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By: Samir Chopra Student evaluations can be flattering; they can be unfair; they can be good reminders to get our act together. A few weeks ago, I received my student evaluations for the 'Twentieth Century Philosophy' class I taught this past spring semester. As I read them, I came upon one that brought me up…
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By: Samir Chopra I'm teaching Wittgenstein this semester–for the first time ever–to my Twentieth-Century Philosophy class. My syllabus requires my students to read two long excerpts from the Tractatus Logico-Philosophicus and Philosophical Investigations; bizarrely enough, in my original version of that exalted contract with my students, I had allotted one class meeting to a discussion of the section from the Tractatus. Three classes later, we are still…
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By: Samir Chopra Some six years ago, shortly after I had been appointed to its faculty, the philosophy department at the CUNY Graduate Center began revising its long-standing curriculum; part of its expressed motivation for doing so was to bring its curriculum into line with those of "leading" and "top-ranked" programs. As part of this…
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By: Samir Chopra In 'Five Parables' (from Historical Ontology, Harvard University Press, 2002), Ian Hacking writes, I had been giving a course introducing undergraduates to the philosophers who were contemporaries of the green family and August der Stark. My hero had been Leibniz, and as usual my audience gave me pained looks. But after the last…
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By: Samir Chopra Jose Saramago's Blindness is a very funny and a very sad book. It is a very sad book because it is about a cataclysmic event–an outbreak of blindness in an unspecified place and time–and the breakdown of social and moral order that follows; it is very funny because this apocalypse of sorts provides an…
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By: Samir Chopra In The Pervert's Guide to Cinema, Slavoj Žižek says: All too often, when we love somebody, we don't accept him or her as what the person effectively is. We accept him or her insofar as this person fits the co-ordinates of our fantasy. We misidentify, wrongly identify him or her, which is why, when we…
