By Gordon Hull
For quite a while, I’ve been exploring how to relate Derridean concerns about language and the politics behind theories of language (and text), and how to think about those in the context of large language models (part one, two, three, four, five, six). Last time, I talked about subjectivity and the question of whether a speaking subject necessarily subtends language production and how that might play out in the context of language models. Here I want to return the conversation to Plato, since Derrida’s discussion of Plato’s critique of writing in the Phaedrus is central to all of these thoughts. One thing that emerges in Plato is that he is acutely aware of the political stakes involved, and the Phaedrus deploys various strategies with myths and stories to communicate those stakes. Indeed, Plato does this basically all the time.
Most obviously, in the Republic, when he infamously banishes the poets, it is not all poets he banishes, but the Homeric ones. The problem is that Homeric poetry teaches the wrong thing. Socrates broaches the subject as follows:
“We must begin, then, it seems, by a censorship over our storymakers, and what they do well we must pass and what not, reject. And the stories on the accepted list we will include nurses and mothers to tell to the children and so shape their souls by these stories far rather than their bodies by their hands. But most of the stories they now tell we must reject” (377c).
He then immediately cites the example of the Uranus Kronos story told by Hesiod, which he avers shouldn’t be told to young people even if true (I’ll return to this point, as I think it’s important). Instead, for stories like that, “the best way would be to bury them in silence” (378a). This is because “the young are not able to distinguish what is and what is not allegory, but whatever opinions are taken into the mind at that age are wont to prove indelible and unalterable” (378d). As Penelope Murray comments of this passage, Plato “is not concerned with the factual veracity of history here, but with the ethical truth that should be expressed through myth” (252). The problem is that the wrong myths have been told, and numerous examples of allowed and disallowed myths follow. For example, we must say that the Gods do not deceive, because words are a “copy of the affection in the soul” (382b) and “essential falsehood … is hated not only by gods but by men.”
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